Over the summer I put a lot of effort into some new textile necklaces. I recently sold the one I was most pleased with but I thought I would share a couple of images of the piece.
Hi, I have not been posting here for a while but I hope to get back to adding regular updates soon.
Meantime here are a few of my recent textile jewellery pieces.
Usually I like to start a new project from scratch. Reworking pieces that I have previously made is always difficult and a little less satisfying than creating a whole new piece of work.
If you make things by hand for a long time, you inevitably end up with a growing collection of odds and ends lying around. These can be from experiments that did not work out, or were abandoned, or even finished works never sold and you were never completely satisfied with. Once in a while I make an effort to use some of these pieces to develop new work and I recently produced a number of things that I am quite pleased with.
I thought I would share a few of the pieces I’ve been working on lately. With these brooches I have focussed on creating lines that flow and echo within the shapes.
We’ve been experimenting with different lighting when photographing, but it’s sometimes a struggle to reproduce the original colours in photos. Let me know what you think!
Recently I have been producing a lot of work in pinks and purples.
Here are images of just some of the pieces in this very pink theme.
Many of the comments I receive when I speak to people about my work are about colour and the colour choices I make.
The most common question by far must be “what is your favourite colour?” and people are always seem surprised when I say that I do not have one. I believe that having favourites is dangerous for someone who works with colour as it is likely to restrict the choices you make; if you have favourites it means that you also have non-favourites.
Sadly for me, having no favourites does not mean that I can escape from having habits and habit can all too easily dominate an artist’s colour choices.
The workings of colour, both from a technical and a psychological point of view is a complex subject but here are a few of my little rules of thumb.
1) How well colour-combinations work depends on context, for instance colours that look beautiful in a landscape would often look very dull if applied tone-for-tone to a small object.
The great American artist and educator Hans Hofmann taught generations of young artists that no colour exists independent of its neighbours; that the effect of a colour, both perceptually and emotionally, is determined by the colours it is placed next to.
2) When looking at objects close-up, our eyes (and our minds) find it hard to distinguish colour as a completely separate experience from tone and texture. A flat area of colour is perceived very differently from an area where that colour has tonal variation, particularly rhythmical tonal variation.
3) For a safe rule when creating colour schemes, use contrasting colours of similar tone or use closely related colours with contrasting tone.
4) Beware safe rules – Harmonious colours are calm and satisfying but nothing excites like an unexpected combination.
5) Take risks – You will sometimes end up with a colour disaster but it is the secret to avoiding repeating yourself endlessly. (Amazingly however, I have found that no matter how weird the colours I use, it is likely that someone, somewhere will like them!)
6) Colourful is not the same as bright. Sometimes very subdued schemes can yield the most interesting effects.
7) While there are lots of useful guidelines, the truth is that if you want to have a chance of really surprising yourself – there are no rules at all!
For anyone interested in learning more about colour in art I recommend the WebExhibits.org pages on Colour, Vision and Art