The Royal Ontario Museum

Toronto’s Royal Ontario Museum is the largest museum in Canada and one of the largest in North America. It first opened in 1914 and for much of its life was under the control of the University of Toronto, before becoming a fully independent body in 1968. Today it is Canada’s largest institution for scientific field research and is particularly renowned for its world class fossil collection.

A duck billed Hadrosaur

The museum buildings grew in stages with the original 1914 west wing being in a neo-Romanesque style and the 1933 east wing showing Art Nouveau influences including rather grand mosaic ceilings.

The mosaic ceiling of the east wing rotunda

The museum undertook another major phase of renovation and expansion in the early 2000’s with The Crystal, an extension designed by Daniel Libeskind opening in 2007.

Alex outside The Crystal extension

This extension seems to be loved and hated in equal measure. We found it an interesting bit of architecture but it is hard to deny that its primary purpose was to make a grand statement rather than provide a well planned space to display exhibits.

A stairwell in The Crystal extension

The museum has many galleries covering many aspects of science, history and culture but it is probably the dinosaur galleries that make the biggest impact. The layout is rather old fashioned, with many, often unrelated dinosaurs packed side by side. Here there is none of the blind stumbling through darkened rooms that is now fashionable in Europe and the impact of the exhibits is not diluted by vast walls of educational reading. It does have its modern quirks for the kids (get an instant photo of you being chased by a T-rex!) but the dinosaurs themselves are fabulous and really show off the fossil riches of Canada.

A small duck-billed dinosaur with a very narrow skull
A very grand Ceratopsian (the Triceratops family)

A notable feature of the dinosaur galleries is the number of creatures suspended from the ceilings. These include various Pterosaurs and prehistoric sea creatures.

Giant pterosaur with a 12metre wingspan
Two more pterosaurs
An enormous 4.5 metre ancient turtle – Calling all Terry Pratchett fans!

The ROM has many other interesting displays covering various aspects of the natural world and world culture. There is a good exhibit on biodiversity and a fine collection of minerals and gemstones. The European history exhibits are fairly small but with many fine specimens including nice Cycladic and Etruscan pieces.

This stunning lump of natural copper looks like a modern sculpture
Cycladic figure

The museum has large galleries dedicated to Canadian First Peoples but other world cultures are mainly represented by quite limited displays. The exception being Chinese displays, which have a large and prominent set of galleries with many fine artefacts, particularly the early ceramics. Sadly, many of the Chinese displays are in cases with glass all round and this combined with harsh lighting from a multitude of sources can make viewing difficult and photography near impossible.

The early Chinese ceramics are beautiful but the glass reflections often disturb your view

If you have enjoyed this bit of virtual lockdown travel, we plan to go somewhere else very soon. Maybe to Japan next!

Take good care of yourselves – Wai-Yuk and Alex

Travel Memories

As we approach the end of a very strange year, Alex and I have been talking a lot about both the things we have achieved (lots of work on the garden and house) and all the things we have missed out on in this time of lock-downs, shielding and distancing. For instance, we have realised that for the first time in many decades we will have gone a whole year without setting foot in a gallery or a museum, which has always been one of our great loves. Nor have we visited any gardens or seen any beautiful landscapes beyond what can be seen close to our home.

Himeji castle, Japan

One thing we have recently begun to work on has been trying to put our ridiculously large collection of digital photographs into some sort of order. This turns out to be a very slow process because you soon get caught up in looking at the pictures and reliving the memories rather than doing the filing!

Casa Battlo, Barcelona, Spain

We have done a lot of travelling over the last decade or so and looking back through our photos have now decided to post a series of photos of places we enjoyed visiting but which did not make it into earlier posts.

North Cornwall

Our first virtual travel experience will be a journey to the Royal Ontario Museum in Toronto.

A Walk Near Tintagel

England’s South-West Coast Path is one of the world’s great walking routes, stretching from Somerset in the North, around the tip of Cornwall to the Jurassic Coast of Dorset.. We are lucky to have some 300 miles of that route here within Cornwall.

Recently, Alex and I took advantage of the glorious weather to take a walk along part of the Cornwall Coastal Path that was new to us. The stretch of the Path between Tintagel and Trebarwith Strand is typical of North Cornwall with it’s rugged rocky cliffs. That ruggedness is made even more dramatic here due to the scars of old slate quarrying. This is such a feature that the area is known as the “Slate Coast”. In fact, the coast path here is largely created from the old paths that the quarry-men used to access the mining sites.

Quarrying for slate has left its impact on the cliffs
looking to the sea over a field of bright yellow wildflowers

We started our walk just to the west of Tintagel. Looking back to the east we could see the island part of Tintagel Castle, while a little further on we passed the fabulously situated Tintagel Youth Hostel.

The island of Tintagel Castle seen from the South-West
Tintagel Youth Hostel has a magnificent clifftop view

If you live in Cornwall you are used to seeing seas in shades of dark brooding greys. With summers we are having now however, there are more and more days when you can see the waters in clear, almost mediterranean blues and greens.

As Trebarwith Strand comes into view along the walk, one can see the huge scars that historical slate mining has left in the cliffs.

A feature of the quarry sites are the great rock pillars left undisturbed where the miners hit unsuitable rock. These now tower over the old quarry beds.

Precautions were needed against the blazing sun!

All the waste rock from the quarries has led to many variations of dry stone walling.

And if you turn away from the sea, you are faced with the beautiful green of Cornwall

The Garden House

Alex and I made the most of the sunny weather by visiting The Garden House, a ten acre garden near Yelverton, in Devon.

The original house was built for the vicars of the parish, including the former Abbot of Buckland Abbey, who became vicar after the dissolution of the monasteries in the 1500s. A modern vicarage was built in the 1920s and The Garden House was sold as a private dwelling.

When the house and gardens came on to the market again in the 1940s, they were purchased by Lionel and Katharine Fortescue, who created the gardens whilst running a thriving market garden business. After their deaths, the Garden House was bequeathed to a charity to maintain their legacy.

The Garden House features both naturalistic planting and more traditional arrangements, making it a beautifully varied place to visit.

Here’s a sample of what was on offer (click to enlarge):

Back after a break!

Hello everyone, it’s been quite a while since I’ve posted but I’m looking forward to blogging more frequently from now on.

Since I last posted, I’ve been enjoying retirement – lots more time for creativity, gardening, friends and family!

My daughter, Isla, has been dealing with a difficult health condition and has started her own blog where she talks about her experiences and posts her own artwork, you can find her at Medically Unexplained.

I spent a week staying with my son a few weeks back, and visited Hillier Gardens in Hampshire. The seasonal planting displays are stunning and I’m feeling very inspired by all the colours and patterns.

Antwerp Kimono Show

Last weekend we travelled to Antwerp to see an exhibition of kimono by the late Japanese master Itchiku Kubota. Kubota is one of my favourite artists and the chance to see some of his pieces that I only knew in reproduction made the trip a must.

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The exhibition was small with just eight kimono, six from the “Symphony of Light” series (the “Universe” set) plus two from his “Mount Fuji” series. The works were fabulous, which I knew they would be, but sadly the quality of the display was very poor with untidy hanging and lighting totally unsuitable for this type of work. The main light came from an internal paved courtyard but this caused so much reflection on the glass that you could only really see the piece directly in front of you. Fortunately we were permitted to take photographs, which is normally strictly forbidden in Kubota exhibits.

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Reflections on the glass made viewing very difficult!

The “Universe” set of kimono represents a mythical dragon within Mount Fuji breathing out flames and magma. They form one amazing continous image which was impossible to photograph but I have put together a set of individual photos to show the effect.

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The Universe set from “The Festival of Light”

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The complexity of the shibori work is amazing

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The subtle areas are among the most beautiful

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One of the Mount Fuji kimono

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The hand-stitched shibori textures are breathtaking!

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The other Mount Fuji kimono

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Kubota would spend as much as a year working on each kimono

The exhibition runs until the 19th June at MOMU – The Antwerp Fashion Museum. Antwerp itself is not a city I had ever considered visiting but proved to be a very pleasant and enjoyable destination.

The Arimatsu Shibori Museum

During the Edo era in Japan, the Tokaido road leading from Kyoto and Osaka to the capital Edo was the nation’s main highway. Near the city of Nagoya a village called Arimatsu grew astride the Tokaido and achieved great prosperity through the production of indigo dyed clothing fabrics that were sold to travelers on the highway. These fabrics were decorated using sophisticated Shibori tie-dyeing processes. Shibori techniques already had a long history in Japan but in Arimatsu many processes were developed and refined that allowed the large-scale production of many complex patterns.

A historic textile warehouse on the little street that was once the great Tokaido

A historic textile warehouse on the little street that was once the great Tokaido

Alex and I visited Arimatsu in 2014. The village has long been absorbed within Nagoya’s suburbs and what was once the great Tokaido is now just a sleepy side street lined with many nice old buildings. Several of the buildings are the great warehouses and mansions of the textile merchants who made their fortunes here, alongside old-fashioned restaurants and craft shops selling shibori items. There is also the Arimatsu Shibori Museum, which was the reason for our visit.

Arimatsu Shibori dyed fabrics on sale in a craft shop

Arimatsu Shibori dyed fabrics on sale in a craft shop

The key to Arimatsu’s success lay in systematising and regimenting the production of small and complex repeat patterns. One important technique was the printing of a guide pattern on the fabric using a fugitive ink. This allowed the craftperson to align many hundreds of small individual elements with great accuracy. Various posts and hooks were also developed to help the worker carry out the arduous task of repeating complex patterns.

A craftswoman tyeing Shibori knots using dots printed in fugitive ink as a guide

A craftswoman tieing Shibori knots using dots printed in fugitive ink as a guide

At the Arimatsu Shibori Museum one can watch craftswomen demonstrate some of their techniques, though when they are working at full speed it is almost impossible to see what they are doing. It is only when they slow down a great deal that one can work out how the seemingly magical knotting techniques are achieved. The ladies we watched were very patient and spent a lot of time showing us exactly what they were doing step by step.

Craftswomen demonstrating at the Arimatsu Shibori Museum

Craftswomen demonstrating at the Arimatsu Shibori Museum

This woman is using a hook tied to a post to help control the complex knotting process

This woman is using a hook tied to a post to help control the complex knotting process

A section of knotted fabric. When the entire bolt of cloth is completed it will be sent for dyeing

A section of knotted fabric. When the entire bolt of cloth is completed it will be sent for dyeing

Pieces of knotted fabric. The completed material beneath shows the final pattern

Pieces of knotted fabric. The completed material beneath shows the final pattern

The Museum features a wonderful display of example pieces that show each traditional pattern from untied material through the tied stage, the dyed stage and on to the finished patterned fabric.

Examples of just a few of the many classic Arimatsu Shibori patterns

Examples of just a few of the many classic Arimatsu Shibori patterns

Each sample shows every stage from blank white cloth through to finished pattern

Each sample shows every stage from blank white cloth through to finished pattern

A close up showing the different stages

A close up showing the different stages in producing one design

There is also a display area showing Kimono and other items created from Arimatsu Shibori fabric.

Gallery display showing Kimono with Shibori designs

Gallery display showing Kimono with Shibori designs

A famous Kimono with Hokusai's "Great Wave"

A famous Kimono with Hokusai’s “Great Wave”

A contemporary Shibori wall hanging

A contemporary Shibori wall hanging

The museum features a large shop with a wide range of locally produced textile goods ranging from small “touristy” items up to very fine goods such as Kimono at truly eye-watering prices. Sadly, even with the local craftspeople’s great speed and skill, such labour intensive items now struggle to find a market at a viable price. Much of what looks like Shibori fabric sold in Japan today is in fact printed and we discovered that much of the genuine Shibori made for the more commercial end of the market is now sent from Arimatsu to Korea and China where it can be knotted by much cheaper labour.

Japan 6 – Food on a Budget

Alex and I both love Japanese food but eating in fancy restaurants in Japan can be extremely expensive. On our trip there last summer our target was to eat as cheaply as possible but without entirely missing out on the wide variety of culinary experiences Japan can offer. Of course you could stay in Japan’s cities without trying anything beyond McDonalds and KFC (we used to know people who did just that!) but you might as well stay at home. Noodles are the other obvious low cost food option that is available everywhere but is lacking a bit of variety if you choose it every day.
(Click photos to enlarge)

Japanese restaurant chains offer a wide choice of delicious food

Japanese restaurant chains offer a wide choice of delicious food

Our approach was to eat as cheaply as possible for most meals and then splash out a bit more once in a while for something special. Most days we ate convenience food for at least one meal. Fresh ready to eat meals in Japan are very different from Western equivalents. Typically they consist of meat and vegetables over noodles or rice in a plastic tray or bowl but things like dumplings or sushi are also available. We started out using convenience stores such as Seven Eleven. These were good but the food had a mass produced feel and seemed a little pricey for what you got.

Seafood with rice and vegetables. Convenience Store meals are tasty but basic

Seafood with rice and vegetables. Convenience Store meals are tasty but basic

Later we discovered that big supermarkets and department store food halls offered even better choice and value. Japanese supermarkets time-stamp all sushi and start marking it down after about four hours.

Even budget sushi is great quality in Japan

Even budget sushi is great quality in Japan

Simple but delicious snack for lunch. A slice of grilled salmon with grated daikon and soy sauce

Simple but delicious snack for lunch. A slice of grilled salmon with grated daikon and soy sauce

When we stayed in a traditional inn or Minshuku we splashed out on the Japanese breakfast. Fish, rice, pickles and miso soup are not everyone’s favourite start to the day but we love it.

Japanese breakfast in a traditional inn

Japanese breakfast in a traditional inn

We also splashed out on a wonderful evening meal at an inn one night.

The evening meal at an inn

The evening meal at an inn

Not all our meals were traditional Japanese food. One night in Kanazawa we had a very fine Sri-Lankan curry meal. On a rainy afternoon in Matsumoto the only eating place we could find open was a Japanese “Hawaiian” themed burger restaurant which proved to be amazing. The burgers were pure steak and made on the premises – a real surprise!

Sri-Lankan food in Kanazawa

Sri-Lankan food in Kanazawa

A wonderful "Hawaian" burger

A wonderful “Hawaiian” burger

Japan has many different budget restaurant chains serving all types of food. We decided that our favourite was “Yayoi”, a big chain with outlets all over Japan (and a number of other Asian countries).

The Japanese take on the concept of a mixed-grill

Japanese take on the concept of a mixed-grill in a Yayoi restaurant

Finally, you cannot talk about food in Japan without mentioning the ubiquitous plastic food models on display outside almost every budget restaurant. While many of the big city food outlets now make an effort to cater for customers who cannot read Japanese, the food models are still a great help in deciding what you are going to eat.

Plastic models of food are seen everywhere

Plastic models of food are seen everywhere

Mmmmm! yummy plastic food

Mmmmm! yummy plastic food

The Horniman Museum

I have discovered a new favourite museum! Hidden away in Forest Hill, South London is a late-Victorian gem – The Horniman Museum.

The facade of the original Horiniman Museum building

The facade of the original Horiniman Museum building

Founded in 1901 by Victorian tea trader Frederick John Horniman, the museum contains an eclectic mix of displays including natural history, ethnology and musical instruments. The original building was designed in the Arts and Crafts style by Charles Harrison Townsend who also designed an extension opened in 1912. New buildings were again added in the 1990’s, including a grass-roofed Centre for Understanding the Environment.

Townsend's 1912 extension

Townsend’s 1912 extension

The CUE building (Centre for Understanding the Environment)

The CUE building (Centre for Understanding the Environment)

This is a very traditional museum with many of the natural history exhibits being slightly faded examples of the taxidermist’s art, but they are a major part the place’s charm. Other display cases contain particularly good educational explanations.

Scarlet ibis

Scarlet ibis

Slightly faded and scruffy but still very beautiful!

Slightly faded and scruffy but still very beautiful!

Beautiful if slightly dusty insects abound

Beautiful if slightly dusty insects abound

The museum has a vast collection of musical instruments, from ancient to modern, with many beautiful specimens.

A case of musical instruments

A case of musical instruments

One of the Benin brozes in the Africa gallery

One of the Benin bronzes in the Africa gallery

Mask

Mask

One of the delights of the Horniman is it’s freedom from the modern “sanitised” display aesthetic. Many of the ethnographic displays are housed in dark old wooden cabinets, often with an eccentric mix of items displayed side by side.

Model of a north-African doorway behind a case of stuffed birds

Model of a north-African doorway behind a case of stuffed birds

One of the fossil displays

Fossil Ichthyosaur fore-limb

A beautiful set of teeth!

A beautiful set of teeth!

Lettuce Coral

Lettuce Coral

One of the many fine moths and butterflys

One of the many fine moths and butterflys

The Ruined City of Jiaohe

I can often find great beauty and inspiration in old, abandoned objects. This blog is about an entire abandoned city, which strikes me as being both very beautiful and rather eerie. The photographs were taken by my husband Alex and daughter Isla during their trip along the silk road in 2010. Alex has provided the information on the city’s history.

Jiaohe ruins

Jiaohe ruins

Our daughter Isla feeling the 38C heat

Our daughter Isla feeling the 38C heat

The city of Jiaohe was built on an islet in a river, with the high cliffs around its plateau forming a natural fortress. No one knows when it was first settled but it first became the capital city for the Turpan region in around 180 BC and remained an important centre on the silk road until it was abandoned after being sacked by Genghis Khan in the 13th century. At its peak the city is thought to have housed around 7,000 people during the Tang dynasty.Jaiohe_1

Buildings were a mix of carved loess soil and mud brick

Buildings were a mix of carved loess soil and mud brick

The city is protected by steep cliffs all around

The city is protected by steep cliffs all around

The Turpan area is a bleak desert that bursts into life where there is water

The Turpan area is a bleak desert that bursts into life where there is water

Jaiohe city walls

Jaiohe city walls

Centuries of weathering carves mud bricks into fantastic shapes

Centuries of weathering carves mud bricks into fantastic shapes

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A buddhist temple can still be recognized

A buddhist temple can still be recognized

OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERAOLYMPUS DIGITAL CAMERAJaiohe_4In the early twentieth century, the archaeologist Aurel Stein complained that local people were carrying away material from the site to make new buildings but today the ruins are protected by the Chinese government. New paths have been laid for tourist access and a lot of conservation work, plus some restoration has taken place.

Chelsea Physic Garden

I recently paid a delightful visit to Chelsea Physic Garden, the first time I had been there in many years. For those who love plants, this is one of London’s great hidden treasures. Being someone who is inspired by natural forms, I found many unusual shapes and textures that can serve as inspiration for my work but the garden is a great place for anyone to visit.Physic_garden_3Chelsea Physic Garden is one of the oldest horticultural establishments in the world. It was founded in 1673 by the Society of Apothecaries as a place to train apprentices in growing and using medicinal plants.Physic_garden_8Physic_garden_9Physic_garden_10 Physic_garden_5Physic_garden_1 Physic_garden_6 Physic_garden_4 Physic_garden_2 Physic_garden_7Despite its long history, the garden only opened to the general public in 1983. Prior to that time it was almost exclusively a place for scientists and students to study and today the garden remains a centre for education and scientific research.

Oxford Snapshots

I love to explore textures and colours in my textile work, and I try to make sure I’ve got my camera handy to snap anything interesting. Below are a few of the images that caught my eye in Oxford: colour combinations in lichen-covered bark, forms in tree sap, and mosaic reflections in windows. Tree sap Tree sapOxford tree knot Oxford lichen bark Oxford Window Reflections Oxford Window Reflections Oxford Window Reflections

Natural History Museum

The animal and plant decoration on the museum’s exterior

I have posted before about my love for the Waterhouse Building, home of London’s Natural History Museum (The Sculpture of Nature). This time I thought that I would share a few photographs showing the outside of this beautiful and eccentric building, specifically, a few of the many, many animal and plant sculptures and reliefs that decorate its rich exterior.

A Cathedral to Science - entrance to the museum

A Cathedral to Science – entrance to the museum

The ambition of Alfred Waterhouse’s design is breathtaking in its complexity, with literally hundreds of sculptures and gargoyles adorning a façade that is already a busy excursion into the Gothic fairytale-land of the German Romanesque. Such richness of detail could easily have disintegrated into a jumbled mess, yet through careful control of scale and proportion, together with the cohesive force of the strong lines running through the design, Waterhouse never loses the overall coherence of the building.

Iconic landmark - The towers of the museum seen from South Kensington underground station

Iconic landmark – The towers of the museum seen from South Kensington underground station

Primitive reptiles and a dire-wolf? beneath on of the many windows

Primitive reptiles and a dire-wolf? beneath one of the many windows

This magnificent feline is high up, against one of the building's central towers

This magnificent feline is high up, against one of the building’s central towers

A whole menagerie of beasts and gargoyles look down on visitors

A whole menagerie of beasts and gargoyles look down on visitors

This lion, like all the other beasts, was modelled from Waterhouse's own drawings

This lion, like all the other beasts, was modelled from Waterhouse’s own drawings

The building also has more subtle decoration, such as this fox and birds over the entrance

The building also has more subtle decoration, such as this fox and birds over the entrance

Smaller creatures are represented on tiles such as these

Smaller creatures are represented on tiles such as these

Apart from the animal in the roundel, note the birds in the rooftop ironwork

Apart from the animal in the roundel, note the birds in the rooftop ironwork

The famous pterodactyl

The famous pterodactyl

I fell in love with this building on the day I first saw it and in the decades since I have only grown to appreciate it more. If you have a chance to visit London then please make a trip to the Natural History Museum one of your priorities.

(As always, thanks are due to husband Alex for helping to put my thoughts into words.)

Crackington Haven

The rocky little cove known as Crackington Haven is the nearest spot on the North Cornwall coast to my home. Alex and I paid a visit to this delightful spot a week or so ago to watch the sun go down.

This area of the coast is notable for the dramatic twists and distortions of the rock strata. These rocks are, in fact, known to geologists as the “Crackington Formation” and were originally sediments laid down on an ancient ocean bed before being roasted, folded and overturned in the much later volcanic event that gave Cornwall its granite core. It is the erosion of these rocks that gives this coast its spectacularly rugged look.

Here are a few of our photos.

The little cove of Crackington Haven is much loved by tourists

The little cove of Crackington Haven is much loved by tourists

The cliff with its jumbled strata, lit with the evening sun

The cliff with its jumbled strata, lit with the evening sun

The twisted layers of rock are clearly visible in this shot

The twisted layers of rock are clearly visible in this shot

A sunny but very cold evening in North Cornwall

A sunny but very cold evening in North Cornwall

The eroded rocks of Crackington

The eroded rocks of Crackington

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There is a narrow band of water suitable for surfing between the bands of rock reaching into the sea

There is a narrow area of water suitable for surfing between the bands of rock reaching into the sea

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Lichen growing just above the high tide level

Lichen growing just above the high tide level

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After sunset

After sunset